The Resurgence of African Menswear Global Dialogue

Authored by BDiGiT MAGAZINE
April 15, 2025

Tokyo James

In Kumasi’s Bonwire, loomers weave kente into vests that hum with royal lineage. In Cape Town’s ateliers, Xhosa-inspired capes ripple, their beads chanting warrior tales. From Lagos to Addis Ababa, African menswear is shredding colonial threads—stiff suits, muted ties—and stitching a vibrant, homegrown identity. Mudcloth jackets pulse with Mali’s ancient glyphs; ankara blazers blaze with Yoruba pride. This isn’t a fashion trend—it’s a resurgence, a bold reclamation of masculinity and heritage, weaving a global dialogue from African streets to the world’s gaze.

This revolution, simmering for a decade, has ignited by 2025. Designers like South Africa’s Laduma Ngxokolo, whose MaXhosa knits fuse Xhosa motifs with modern flair, and Nigeria’s Tokyo James, blending Lagos edge with tailored grit, reject the Western suit’s grip. In Nairobi, a poet strides in a Maasai-beaded coat; in Kinshasa, a sapeur dazzles in a kaleidoscopic suit. These men embody a masculinity unchained—fluid, expressive, rooted in ancestry. Moroccan kaftans flow with quiet power; Zulu-inspired vests stand angular, defiant. Across Abidjan and Johannesburg, young men don’t just wear clothes—they perform heritage, resisting a world that flattens Black identity.

Thebe Magugu

At its core, this resurgence rewrites power. Colonialism draped African men in sameness, peddling suits as success. Today’s designers unravel that lie, crafting garments that reclaim sovereignty. Nigerian geles, reimagined for men, defy gender norms with unapologetic flare. Ghanaian smocks, woven with Adinkra symbols, carry proverbs of resilience. These pieces aren’t just fabric—they’re defiance, stitching selfhood against centuries of erasure. On socials , hashtags like #AfricanMenswear sparks pride, linking weavers in Dakar to tailors in the diaspora, fueling a conversation that’s as digital as it is ancestral.

Ugo Monye

The resurgence thrives economically too. Africa’s fashion market, worth $10 billion in 2024, could hit $15 billion by 2030, powered by a youthful boom and global hunger for authenticity. Lagos Fashion Week pulls buyers from Paris to Seoul; e-commerce sends Bamako mudcloth jackets to Brooklyn with a click. Designers like Ghana’s Studio 189 prioritize community, training artisans to scale craft without losing soul. Yet shadows linger. Fast-fashion giants peddle “Afro-inspired” knockoffs, profiting off patterns while weavers starve. Artisans battle soaring costs—imported dyes, flickering power—while purists warn modern cuts risk thinning tradition’s weight.
By 2027, this resurgence could redefine global style. Designers may weave tech—sustainable dyes, 3D-printed beads—melding heritage with eco-calls. Ethiopia’s HAFD hub trains weavers to guard kente from corporate claws. Socially, the revolution reshapes masculinity, offering expressive models beyond Africa’s borders. A Moroccan djellaba or Kenyan kikoi could inspire Paris runways, but the heart stays local—Durban studios, Ouagadougou looms. Tensions persist: can artisans outrun fast fashion? Will global hype blur authenticity?

The world’s eyes are turning—exhibitions like the MET’s Superfine in 2025 nod to this fire—but the resurgence burns brightest in Africa’s markets. Each stitch defies a world that once dictated African men’s worth. From Mali’s mudcloth to Nigeria’s aso-oke, this is sovereignty woven—thread by thread, bold, unbroken, and undeniably alive.